Fondue was only one element of an exhibition entitled Walking Home (Again) that took place at the Fish Factory in March and April 2015. The other elements were made up of the nine-part drawing How To Walk which has been previously discussed and is threaded throughout this thesis: Walking Home: Infinite Edition a stand- alone installation piece which includes a web-based work to which the audience are invited to contribute; Score which was a large work on paper which evolved over the course of the exhibition in direct relation to the fugues performed within Fondue; and a second, framed work on paper called For so long, the horizon. Appendix 12 is the published guide to the exhibition for how these works were placed within the space. On the exhibition floor plan number 9 is listed as “(Again): Found objects, false wall and door, framed c-type print”. The parenthesis refers to the iterative use of Walking Home as a title. First used in 2008 for my MA show, the phrase Walking Home was transferred onto the door of a shed at Dartington College of Arts that was an installation in which works towards the idea of Walking Home were shown. At the Fish Factory a false wall was constructed creating both a reference back to this previous incarnation of the work, whilst also creating an enclosed space within the gallery, suggesting that a world was being entered within which everything was part of the work.
